ACE Bogs exhibition - Juliet Klottrup

A landscape view looking out over Denton Moor on an overcast day

View North to Stainforth Gill Head August 2023 © Juliet Klottrup

ACE Bogs artist spotlight: Juliet Klottrup

In the summer of 2023, I began documenting the restoration of Denton Moor. My focus was to highlight the role of community participation in monitoring upland peatlands and understand the environmental impact of restoration.

Art and science must work together to communicate environmental change in an accessible way. As an artist, I strive to capture not just the transformation of the landscape but also the human connection to it—through the perspectives of those who know the peatlands well and those encountering them for the first time.

If you bring folk in who are more artistic, who are more musical, who are more descriptive, who are more into listening, or into expressive arts and creative arts, and then you start mixing that with the science, then all of a sudden it becomes colour rather than black and white, it becomes multidimensional.
Nick Bailey
Director, Denton Reserve

My approach involves environmental photography and collaboration with local communities, conservationists, ecologists and artists to make the restoration process engaging and meaningful.

On one of my early days onsite, I shadowed members of the Wharfedale Naturalists Society. They conducted “ground truthing”, identifying plant species through direct observation. “Sedges have edges, rushes are round”; they told me, with their knees deep in the moss as they recorded findings. I worked in parallel, learning alongside them as I photographed key species to document their significance.

It’s the social aspect to this that’s so special. Not only can we talk to the ecologists from Yorkshire Peat Partnership but also the poets, those creating artworks, and people looking at the landscape in ways other than just the botany and the ecology.
Ian Brand
President, Wharfedale Naturalists

Later in the project - to mark World Bog Day - YPP hosted groups exploring the landscape through poetry, drawing, and citizen science. I met, observed, listened to and photographed people from different backgrounds, exploring and uncovering different and new meanings for this site.

I want my work to demonstrate, visually, that through participation in long-term citizen science projects, people are forging deeper connections with peatlands, fostering awareness and involvement in their restoration.

Some call peat ‘an archive’, a repository of what was once alive, a proxy record of landscapes past. But archives are curated, ordered, chosen, selectively hoarded. Peat should be called ‘memory’, surviving moments of life and death to remind us of what has been and gone. Peat is the landscape’s memory and our memento mori.
Terry O’Connor